CATALINA SCHLIEBENER

Catalina Schliebener was born in Santiago de Chile in 1980. They lives and works between New York and Buenos Aires.

They has a degree in Arts and Philosophy from the Art and Social studies University ARCIS in Santiago de Chile. Between 2002 and 2008 they taught in different universities in the area of philosophy and art theory in Chile.

In 2014, they moved to New York and made a 3 months intership with artist Liliana Porter for developing Wakefield (TwiceTold tales) project. They also participated in the following residency programs: RIPAC (Residencia de Investigación y Producción de Arte Contemporáneo), Centro Cultural de la Embajada de Chile en Argentina, Buenos Aires, Argentina (2013); FIX07, Belfast, Irlanda del Norte, proyecto patrocinado por The Henry Moore Foundation (2007).

They is a recipient of FONDART – Fondo del Desarrollo de la Cultura y las Artes del Gobierno de Chile (2006, 2008 y 2009) grant; DIRAC – Dirección de asuntos Culturales, Ministerio de Relaciones Exteriores del Gobierno de Chile (2007) grant and FONDARSIS – Fondo de la Universidad de Arte y Ciencias SoWciales ARCIS (2002) grant. In 2017, they was selected to participate in the Queer Artist Fellowship program at the Leslie-Lohman Museum of Gay and Lesbian Art and in 2018 in the Artist in the Marketplace (AIM) Program at the Bronx Museum of the Arts.

They has presented the following Solo Exhibitions: Curveball, M E N Gallery, New York, United States (2017); Growing Sideways, curated by John Chaich, Hache Galería, Buenos Aires, Argentina (2017); Growing Sideways, Bureau of General Services-Queer Division, The Center, New York, Estados Unidos, curated by John Chaich (2016-2017); Pin the Tail, Point of Contact Gallery, Syracuse University, Syracuse, New York, United States (2016); Pony Tail, site specific installation at Galería Damme, La Plata, Buenos Aires, Argentina (2015); Wakefield (Twice-told Tales), site specific installation at CCMATTA- Embajada de Chile in Buenos Aires, Argentina (2015); Mamut, site specific installation at Tienda Dinosaurio, Santiago, Chile (2014); Puzzle, Fundación Esteban Lisa, Buenos Aires, Argentina (2014); Spot, Galería Bsgr Arte Contemporáneo, Buenos Aires, Argentina (2011); Ogro, CCE-Centro Cultural de España, Santiago, Chile (2011); Cuentos para la infancia y el Hogar, Galería Bsgr Arte Contemporáneo, Buenos Aires, Argentina (2010); Sinfonías Tontas, Pabellón 4 Arte Contemporáneo, Buenos Aires, Argentina (2009); Ratonera, Galería Balmaceda 1215, Santiago, Chile (2008); Buuuu!, Galería BECH, Santiago, Chile (2006).

They participated in the following Duo exhibitions: Orden y Secreto, HACHE, Buenos Aires, Argentina (2019); Glue, Sputnik Galería, Buenos Aires, Argentina (2014); Érase, Galería Ups!, Buenos Aires, Argentina (2011); Máquina Blanda, Galería Jardín Oculto, Buenos Aires, Argentina (2011); DOBLE, Galería Oz, Buenos Aires, Argentina (2010); Revista Americana, Pabellón 4 Arte Contemporáneo, Buenos Aires, Argentina (2008); Cuarto Amarillo, Galería Bucci, Santiago, Chile (2002).

Their Group Exhibitions include: Baseball Show, Tiger Strikes Asteroid, Brooklyn, New York, USA Curator: Andrew Prayzner (2019); Cross Roads, The Loisaida Center, New York, USA; Gallery MC, New York, USA (2019); Este puede ser el lugar, Carmén 36, Santiago, Chile Alternate Routes, Leslie-Lohman Museum of Gay and Lesbian Art, Project Space, New York, USA (2018); In the name of …, Julia de Burgos Cultural Center, Harlem, New York, USA (2018); Lo firme en el centro encuentra correspondencia, Hache Galería, Buenos Aires, Argentina (2017); Queering the Bibliobject, Center for Books Arts, New York, United States; Has llorado, en silencio, Hache Galería, curated by Carlos Herrera, Buenos Aires, Argentina (2016); Páramo, Guerrero Art Station, Buenos Aires, Argentina (2014); Fantasía Fantasma, Fundación Lebensohn, Buenos Aires, Argentina (2014); La Perla sin Mercader, Trienal de Chile II, Galería Metropolitana, Santiago, Chile (2012); Bem Casados, Galería Gravura Brasileira, São Paulo, Brazil (2014); Lechería Pop Art, Museo Dimitrios Demus, Lechería, Anzoátegui, Venezuela (2014); Canciones de Amor y Otras Pasiones de Orígen Romántico Vol. III, Galería Local, Santiago, Chile (2012); Cocina Estampa, Galería Bsgr Arte Contemporáneo, Buenos Aires, Argentina (2011); Bronx Latin American Art Biennial 2010, Gordon Parks Gallery, Bronx, New York, United States (2010); Not Like Most, Biblioteca de Santiago, Santiago, Chile (2010); Celebrating the Duck, Fairy Tale Museum, Villa Fridheim, Norway (2010); Remake, Proyecto Cubo 2009, Pabellón 4 Arte Contemporáneo, Buenos Aires, Argentina (2009); Playroom, Proyecto Cubo 2009, Pabellón 4 Arte Contemporáneo, Buenos Aires, Argentina (2009); Crossover, Proyecto Cubo 2009 (2009); Swinger, Proyecto Cubo 2009 (2009); FIX’07, Galería Catalyst Arts, Belfast, North Irland (2007); A prueba de
juegos, Galería Balmaceda 1215, Santiago, Chile (2007); Odiosa, Salas de Arte Gremio, Valparaíso, Chile (2004); Súper Bien!, Galería Bech, Santiago, Chile (2003); Showroom – The Hits, Museo de Arte Contemporáneo (MAC), Santiago, Chile (2003).

Among the distinctions they received are the Mención Honrosa, Concurso Artistas Siglo XXI, Centro de extensión Universidad Católica, Santiago, Chile (2007); Third place, Concurso Artistas Siglo XXI, Centro de extensión Universidad Católica, Santiago, Chile (2006).

workS

Untitled. Series Satanic Panic, 2021

Catalina Schliebener

Collage, graphite and thread on mat
40.2 x 32.2 in

Untitled. Series Satanic Panic, 2021

Catalina Schliebener

Collage, graphite and thread on mat
40.2 x 32.2 in

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Rainbow Brite. Series Satanic Panic, 2020

Catalina Schliebener

Collage and graphite on paper
11.8 x 27.2 in

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Untitled. Series Satanic Panic VI, 2020

Catalina Schliebener

Collage
11.8 x 11.8 x 1.2 in (approximate measurements)

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Untitled. Series Satanic Panic I, 2020

Catalina Schliebener

Collage on wood
7.9 x 7.9 x 3 in

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Monster Inc. (Sulley). Series Satanic Panic, 2019

Catalina Schliebener

Installation
Porcelain figurine, articulated plastic figures, paper, light box
27.6 x 16.1 x 16.1 in
Version 1 of 2

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Growing Sideways (6), 2016-2017

Catalina Schliebener

Installation of collages on paper
Variable dimensions

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Growing Sideways (7), 2016-2017

Catalina Schliebener

Installation of collages on paper
Variable dimensions

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Untitled. Series Coloring Book, 2016

Catalina Schliebener

Collage and ink on paper
12.2 x 9.1 in each (triptych)

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Fungus. Series Fungus, 2014

Catalina Schliebener

Collage, graphite, ink and silkscreen on paper
18.7 x 14.2 in

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Fungus. Series Fungus, 2014

Catalina Schliebener

Collage, graphite, ink and silkscreen on paper
18.7 x 14.2 in

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Fungus. Series Fungus, 2014

Catalina Schliebener

Collage, graphite, ink and silkscreen on paper
18.7 x 14.2 in

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Fungus. Series Fungus, 2014

Catalina Schliebener

Collage, graphite, ink and silkscreen on paper
18.7 x 14.2 in

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EXHIBItIONS

UNIVERSO PRÓXIMO PROCESO
GROUP SHOW

FEB 7. — MAR 31. 2022

LO QUE QUEDA
GROUP SHOW

NOV 23. 2020 — APR 30. 2021

ORDEN Y SECRETO CATALINA SCHLIEBENER & DANI UMPI

CURATED BY NICOLÁS CUELLO
AUG 13. — SEP 21. 2019

GROWING SIDEWAYS
CATALINA SCHLIEBENER

CURATED BY JOHN CHAICH
MAR 14. — APR 29. 2017

HAS LLORADO, EN SILENCIO
GROUP SHOW

CURATED BY CARLOS HERRERA
APR 19. — MAY 28. 2016

fairs

ARTEBA 2017

BUENOS AIRES, ARGENTINA
MAY 24 — 27. 2017

BOOKS

Satanic Panic

Editor Nicolás Cuello
Letra Viva

Buenos Aires

2023

The age of
collage 2 Contemporary College in Modern Art

Pages 164 – 165
Editor Gestalten
Berlín, Alemania

2016